We all know Steven Spielberg is an extraordinary filmmaker, but it can be hard to quantify the precise elements that make him so exceptional. Of course, that's a multi-faceted answer that includes everything from his rapport with actors to framing to command of storytelling, but a new video essay breaks down one of the more technical elements in his arsenal -- good sound design. Spielberg is currently doing the awards circuit rounds for his timely journalism drama The Post , but for his new video, YouTuber Nerdwriter1 jumps back to Munich to reveal how the director and legendary sound designer Ben Burtt us sound to tell a story so complete, you don't even need the picture to see it. This fella's video essays are always on point we previously shared his insightful take on David Fincher's camerawork , and his Spielberg analysis doesn't disappoint. So if you want to learn more about an element of Spielberg's filmmaking you might not have picked up on, or just marvel at what a damn fine storyteller he is, check out the video below.
The Best Video Essays On The Internet To Help You Learn Filmmaking From Home
The Spielberg Face, Video Essay Analyzes Filmmaker's Signature Look
The internet is filled with video essays dissecting movies to its last frame. For me, they have been quite helpful. Many of them you must be familiar with, some may turn out to be a pleasant discovery. Hope you enjoy them. Sage Hyden of Just Write reaffirmed my belief. This video helped me reassess one of my favourite filmmakers in a new light.
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The Spielberg Oner — How to Direct a Long Take Like Steven Spielberg
We have already extolled the genius of Spielberg in this previous NYFA article , but today we examine some of the specific cinematographic techniques he employs to achieve such spectacular results to help inspire your own cinematographic stylings. A sideways tracking shot follows the movement of the characters. Although it is a classic technique, Spielberg makes it his own. Spielberg adds considerable visual texture to the shots by putting all manner of objects and extras between the camera and the two main subjects, to enhance the richness of the frame and the visual perception of movement. As the below video essay details, Spielberg often uses either action or fraction glimpses of body parts or features to introduce his protagonists, and some of his most memorable introductions employ both.