Having learned to use a sewing machine at a young age, I have had a genuine and practical interest in textiles for as long as I can remember. I would love to learn about its production on an industrial scale, particularly the many different weaves. Other subjects that deeply absorb me include industrial embroidery and mixed media textiles experimenting with innovative methods such as burning and gluing gives me great satisfaction. My application for deferred entry, in order to complete an art foundation year, testifies to my enthusiasm for my subject and a willingness to nurture and develop my natural creative talents.
Textiles Personal Statement
How to write a personal statement for fashion | Art | The Guardian
Essential coronavirus info Your safety is our first priority. Graduate Diploma in Textile Design at Chelsea College of Arts is a one year pre-masters course which prepares you for further study in this area of practice. The course is for students who have a BA but perhaps not necessarily in this subject area and wish to progress to MA level. It is designed to help support the development of your textile design knowledge and skills underpinned by an ethos of sustainable and ethical design practices. You will learn how to apply and adapt your current creative methods of practice in this context.
How to write a personal statement for fashion
Sobhan Mohmand , Career Expert 24 Dec I am a creative, motivated and multi-faceted Textile Designer with a keen eye for detail and a huge passion for working with fabric materials, colours, textures and patterns. I have always been interested in the fashion and garments industry ever since I was a child playing dress-up and I would love to play my part in contributing to this ever-growing industry and make a real difference.
In the design industry in [my country], the designers seldom have direct contact with clients, as they tend to be focused exclusively on the content of their work. Instead, a salesperson communicates with clients and then relays the pertinent information and requirements on to the designer. The end result of such a system is that designers produce work in relative isolation of the actual needs of clients; the work, while of high quality, suffers from the obstacles presented by the lack of communication between designer and client.